MONSTERS 647 & 47, 2016 - 2022 spicer-heads

MONSTERS 647 & 47, 2016 - 2022 spicer-headsEach set of prints features two individually numbered color Xeroxes on archival permanent record paper. Each print is 11 x 17 inches (27. 9 x 43. 1 cm) Over the past six years, in what amounts to the creation of an unofficial and urgent index of displacement, Relph produced nearly 1000 images of quickly vanishing payphone enclosures in New York and Los Angeles. Using a hand held library document scanner to record the telephone handset graphic, the

Created from the early 1960s to the late 1980s

then the most infamous street in America

Best known for the production of Aalto’s famous bentwood furniture

The page numbers are accompanied by another set of numbers which correspond to an individuated xerox copy of each image

More I Remember (1972) and More I Remember More (1973)

including Takuma Nakahira

and drifts through gentle rivers of velvet

upset though they are by digital artifacts and surface interruptions: paper

and the loss of a parent

Designer and stone carver Nick Benson in conversation with Jack Fahnestock

an interest in designing dal cucchiaio alla città (“from the spoon to the town”)—giving equal attention and applying the same innovative design thinking to small spoon and skyscraper alike

laminated silver boards over black cloth spine