Rembrandt Pastel - 234.7 - Raw Sienna 7 Rembrandt Oil 150mlWorld wide most used soft pastels. Characteristic softness for excellent colour release and brilliant colour tones. Vibrant, pure soft pastels, available in whole and half sticks Made with high concentrations of premium quality pigments Offers excellent colour transfer and the highest degree of lightfastness Free of metal based pigments (lead, cadmium and cobalt) Available in 218 very pure and intense colours Skilfully crafted in the Netherlands since
· Afterwards
This half pan of Graphite 840 is formulated with pigment(s) PW20/PW15/PW6/PBk11
Amsterdam acrylic ink in Burnt Sienna (411) is a semi-opaque colour with a very good lightfastness (++)
for acrylic paint after 4 to 5 days) · Dries in a few hours · Does not yellow · More flexible than Picture varnish gloss 002 · Gives less gloss than Picture varnish gloss 002 · Mixing with Acrylic varnish matt 115 reduces the degree of gloss · Dry varnish coats can be removed with white spirit or turpentine · Can be thinned with white spirit or turpentine
This 40ml tube of semi-opaque Vermillion 311 is formulated with pigment(s) PO34/PR57:1 and has a lightfastness rating of ++ (100+ years under museum conditions)
this becomes less prominent
after 24 hour it can be painted over with oil colour · Apply at temperatures above 10°C
then clean the brushes with soap and water and rinse off · Not suitable for removing dried layers of varnish
can damage the acrylic paint · Can cause irritation · Available in 75ml bottle · Proudly crafted in the Netherlands
Azomethine Green Yellow (296)
Contents: 10 Brush Pens (226 Pastel Yellow - 258 Apricot - 381 Pastel Red - 390 Pastel Rose - 579 Pastel Violet - 580 Pastel Blue - 666 Pastel Green - 439 Sepia Light - 738 Cold Grey Light - 902 Blender)
Purpose: Increasing the flow and transparency of glazing layers in oil colour Composition: Natural balsam
