Colour Thibaut Schilt

Colour Thibaut SchiltAccessible and inventive in its approach, Colour is the first monograph to deal with the close criticism of film colour across decades and countries.

It intersperses first-person narratives with readings by artists and scholars on issues critical to the organization’s success

The Centre for Consciousness Studies at the University of Arizona in Tucson spearheaded this development with its bi-annual conferences since 1994

As the antipode to Europe

this book argues for the importance of crime fiction

lesbians and widows in British women’s fiction and auto/biography from the 1850s to the 1930s

The list of contributors is impressive and quite consciously eclectic

The third part of a three-volume work devoted to mapping the transnational history of Australian film studies

audiences are denigrated as trivial

even 'problem' talk shows

a young Muslim refugee scarred by the Balkan war finds shelter with Magda

Set in London at the turn of the 18th century

Albert Kahn’s collection of early colour photography and documentary film